I just wanted to share my views on the first Leomark Studios
and Stickmen Pictures production, ‘The Mechanic’ which finished shooting
yesterday in LA.
Firstly, I wanted to say what a pleasure it has been shooting
out here in the States. It’s been an ambition from as far back as the day I
realised movie making was where my heart is. My experience of shooting in
Derbyshire gave me real confidence to take things head on out here so I would
like to convey my deepest gratitude to all of the Stickmen Pictures faithful
back home.
The shoot of ‘The Mechanic’ took place on 4 days over a
week. The shoot was fully loaded with extensive shot lists which made for long
days.
I want to take a moment to address all of the individuals
that made this happen:
Cast
Jacob Matthews came through the most
competitive audition process I have ever been involved in. He is supremely
professional, universally liked by all on set and an outstanding performer. He
showed great stamina to keep his high performance going during the long hours
and integrated his natural comedic improvisation with hilarious effect.
However, the most important thing he achieved with the character was the
balance. Not only will you find his character outrageously funny but you will feel
his innocence and subsequently always root for him.
Darcy Donavan (Anchorman, My Name is Earl, Browsers) plays
multiple characters (Sexy Customer, Police Woman) in this film. Her obvious beauty
juxtaposed with a great ability to perform made her a standout choice for us.
For one of her roles she endured 6 hours in the character make-up chair and
still gave us every ounce of energy without a single complaint. An attitude
like this is invaluable when making a film and I cannot speak highly enough of
Darcy in this light. Darcy lit up the set with her colourful persona and I’m
sure everyone is in agreement with the positive effect she had during this
shoot.
Derek Lux, the
laugh inducer, plays multiple roles (Tall Robber, Angry Boyfriend) in this film.
Derek has a great natural ability to improvise. When called upon within an
instant he could plunge into his huge repertoire of comedy and deliver with
distinguished results. It was a real pleasure to have such ability in the film
and I can’t wait for you all to see his talents.
Brian Prisco
& Scotty Servis formed two
enigmatic sides of the Three Robbers. It was clear from their auditions that
these guys were top drawer and when put along aside each other delivered a
superb performance. We are lucky to have such talented and committed
individuals to appear in our film.
Matt Vera came to
our attention in rather serendipitous circumstances when Erik decided upon a
car journey completely different to his usual. Along the way he met Matt who
was eventually cast as the angry husband. Matt worked hard, was always prepared
to help and paid a lot of attention to detail which really supported this film
making process!
Lexi Baxter
played the girlfriend character. Lexi was utterly professional and took
direction effortlessly despite having an outrageous Angry Boyfriend character (played by Derek) to act
alongside. She will definitely have an
impact which I can’t wait for you to see!
Crew
In the crew I want to mention Art Smith who made a lot of things happen for this shoot from props
to locations as well as supporting the rest of the crew anyway he could. He was
extremely positive through the process as was his wife Amy Smith. She was greatly efficient, reliable and spent many hours
on set helping with a variety of different tasks.
MultivisionFx’s Michael Del Rossa (Watchmen, 300, Pirates of the Caribbean)
our Special Effects make-up artist whose talent and incredible standard will be
there for all to see in his Werewolf creation. His team
of Aimee Bertone and Carlos Vasquez spent hours in support
of Michael. They were extremely professional and deserve a lot of credit for
their time, effort and creativity.
Sören de la Cruz
was a crucial member of the crew and I believe pretty much performed every film
set task from lighting to stills (to stunt driver…). He was approachable and
smiled through every task during the shoot. Abhishek Bhatt was also a critical member of the team. This was his
first experience on a film set and he cut his teeth on one of the most
important aspects of the film – sound. Abhishek grasped his task quite easily
and was a great help to the crew for the duration of the shoot.
I want to thank Michael
Razo II and Richard Valdez for
their support and patience whilst we drove and shot in their Cadillac Fleetwood
Low Rider, courtesy of Pharaohs, I.E. I want to thank Alex Tuason and Art Tuason for allowing us into Hoppos Custom Suspension Works and being there to make that day as
easy as they could for us.
I also want to thank Roshni
Bhatt for lending her extra pair of hands on set during the house scenes
and making props in pre-production. I want to acknowledge Shaileshkumar Bhatt and Jaymini
Bhatt for being massively supportive to me in every way thinkable and
providing one of the main film sets – the house. I have a lot more to be
grateful for when it comes to these guys but that is for another time and
another way…
Daniel Tee
probably didn’t think he would get a mention but the more sophisticated half of
Stickmen Pictures lying in wait in good old Derby has contributed greatly to
the writing (you’ll notice how the script wasn’t just written by me) and been
extremely supportive of my first venture without his presence on set. He will
also be getting involved with post-production down the line and I look forward
to you all meeting him in the future.
Last but not least the Lundmarks. Anna Lundmark made me a
fantastic cake for my birthday which everyone on the garage day will testify
was amazing, and Emilia Lundmark
weighed in with some innovative prop making. Super effort!
Maria Collis (outside
of being the producer) was the engine of this whole shoot. Her work ethic,
organisation skills, attention to detail and experience really drove this shoot
to a successful conclusion. She was there to put out any fires and made sure
everyone was fed and happy. The great morale of this production can almost
single-handedly be attributed to her. And that is probably an understatement.
Last but not least, Erik
Lundmark (outside of being the producer) who was exactly the man to deliver
a high production valued piece. His preparation skills were of the highest
order (and I have seen some prep with my previous life being in finance!) as
was his awareness of the shot types required to elevate the quality of this
shoot. His line of communication to me was always open and he was able to
support me with his vast experience. His work ethic (something the Lundmarks
should be famous for in my opinion) was awesome to behold as he put himself
through a physical exam with the equipment he was utilising. I have learnt a
lot about making films here in LA through observing Erik and will never forget
this experience.
All in all a great thank you to everyone’s contribution
including all those who I have not mentioned above. Without your dedication we
could never realise this vision which I know will be worth the wait when it is
finally ready for you to see.